I make work that is big, friendly, and direct. I work almostexclusively on crafting representations of the physical and political world andI try to create images that distill and explain – I don’t shy away from thedidactic but, rather, lean into it. To the extent that the work becomescomplex, it is because I’m working to represent what is inherently hard toperceive or conceive.I'm interested in the ways that marginalized communities arerepresented in map, diagram, and anecdote, and I developcounter-visualizations. My hope is that the things I make will help people tosee familiar places and circumstances in an unfamiliar way.